When a character walks toward the back of a set-or even leaves the room altogether-see how they remain in constant focus. The next time you watch one, take note of how crisp the details are of everything in the shot. He used it in pretty much all of his movies. It wasn’t just in Citizen Kane that Welles used deep focus. This use of deep focus is particularly clever as it links the core question of the movie and the ending of the film: Who/what is Rosebud? Thanks to cinematographer Gregg Toland’s employment of deep focus, we aren’t just seeing what’s happening inside the room-everything outside of the room is clearly visible, too. In this scene, young Charles can be seen playing in the snow through the window, way back in the background. One quick Google search reveals a ton of YouTube essays and scholarly articles about the flashback scene to Charles Foster Kane’s childhood. Citizen Kane is Welles’ most famous film-and by extension, his most famous use of the deep focus shot.
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